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Jackson, Del Toro Will Write 'The Hobbit'

Red Band Trailer - Ben Kingsley and Penelope Cruz Heat Up 'Elegy'
In general, I don't think
Philip Roth novels transfer very well to the
screen. Certainly, anyone who sat through Portnoy's Complaint had
complaints of his or her own, and most recently, The Human Stain was spun
from a Roth book, and that didn't end very well, either.
And while it's a risky proposition to put too much
weight into a trailer,
Elegy looks like an entirely different
situation. It's based on the novel The Dying Animal, and even though
Ben Kingsley has kind of been all over the road
in the past few years (he's popped up in everything from Sexy Beast and The Wackness to Suspect Zero and The Love Guru), it appears that he's giving the kind of thoughtful,
intelligent, weathered performances he can be so good at.
Penelope Cruz also looks up to snuff here, and
she's usually not very good when she has to speak English. That's not really a
criticism, though, because in the Almodovar movies, she's perfectly fine. I first became aware of what this movie was when I saw the posters above earlier this summer. But, knowing it was Philip Roth, I was skeptical. Today, with the unveiling of this new Red Band trailer, I'm a little relieved and excited: This looks pretty damn good. As always, Red Band trailers are the not safe for work variety, and since they're unrated, they are intended for mature audiences.
Director, Studio Head Reportedly Clash Over 'Wolverine'
That's funny: We were just talking about the dark tone of superhero movies and how it fits today's moviegoing audience better than indestructible saves-the-day types (think Batman vs. Superman), and now there's a rumor that Fox brass and X-Men Origins: Wolverine director Gavin Hood are having some disagreements over the mood of one of next summer's big tickets.

'Transformers': Revenge of the Fakers

Warner Bros., DC Comics Look to the Future of Superman and Batman
When it comes to comic book supremacy at the box office, it's still pretty clear that Marvel has done a better job manufacturing hits than has its rival, DC Comics. Even with the towering success of The Dark Knight, there have only been four DC films to ever gross over $200 million in the U.S., and two of those feature Batman and the Joker. Marvel, on the other hand, has four franchises that have posted a total of seven $200 million flicks since 1997, in the form of Spider-Man, X-Men, Men in Black, and Iron Man.













